In this tutorial, I take a closer look at the new Light Adjustment Layer in Photoshop 27.10 and show why it is not behaving like the adjustment layers we are used to. On the surface, it looks like we now have Adobe Camera Raw’s Light tools inside Photoshop, with Exposure, Contrast, Highlights, Shadows, Whites, and Blacks available right in the layer stack.

You will learn why this tool has a lot of promise, especially when used with masks, groups, blend modes, opacity, and fill. I show how it can be used to shape a sky, control a foreground, and build a strong starting point for an edit without having to jump back into Adobe Camera Raw as a filter.

But there is a major catch. This layer appears to be performing some kind of computation in the background, which causes it to behave differently when you edit the layers beneath it. By the end, you will see why I love this tool, why I do not fully trust it yet, and where I think it belongs in a Photoshop workflow.

Blake Rudis
f.64 Academy and f.64 Elite are the brainchildren of Blake Rudis. While he is a landscape photographer, he is most passionate about post-processing images in Photoshop and mentoring others.

For Blake, it's all about the art and process synergy. He dives deep into complex topics and makes them easy to understand through his outside-the-box thinking so that you can use these tricks in your workflow today!
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