Photographing and editing skin tones can be a difficult task. Take them too far, and they saturate quickly, but don’t take them far enough, and you could have lifeless skin. A fine balancing act exists for proper skin tones between on-location lighting and post-editing.

Imagine having the power to make skin tones flawless, natural, and perfectly matched with just a few clicks. That’s what I’m bringing to the table today. We’ll use Photoshop’s new gradient tool and some hand-crafted skin tone gradients to get the PERFECT skin tone every time!

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Blake Rudis
f.64 Academy and f.64 Elite are the brainchildren of Blake Rudis. While he is a landscape photographer, he is most passionate about post-processing images in Photoshop and mentoring others.

For Blake, it's all about the art and process synergy. He dives deep into complex topics and makes them easy to understand through his outside-the-box thinking so that you can use these tricks in your workflow today!
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