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The Hue/Saturation Adjustment Layer

The Hue/Saturation Adjustment Layer

by Blake Rudis | Nov 23, 2012 | Intermediate, Tutorial, Video Tutorial | 0 comments

In general chromatic aberrations are a pain in the ass, in HDR tone mapped images, they are a root canal!  Those out of control Cyan/Magenta/Purple fringes around tree branches and buildings can really make a great image look horrible!  The good news, you can control...
How To Fix Extreme Wide Angle Shots

How To Fix Extreme Wide Angle Shots

by Blake Rudis | Nov 16, 2012 | Advanced, Tutorial, Video Tutorial | 2 comments

A few weeks ago I posted a tutorial about my 32 bit HDR workflow with Photomatix (I think I said HDR Efex Pro in the tutorial, oops!).   Someone made a comment on Youtube about my lack of fixing the distortion.  I am not sure if they were being snide or not, but I...

Smart Object HDR Workflow

by Blake Rudis | Nov 9, 2012 | Advanced, Tutorial, Video Tutorial | 0 comments

Have you ever made some awesome adjustments in Adobe Camera Raw, opened the image, and then realized you forgot to reduce the Chromatic Aberrations or reduce the noise?  It used to happen to me all the time!  I would then have to close out the photo and re-open it in...
32 Bit HDR Processing Workflow with Photomatix Pro

32 Bit HDR Processing Workflow with Photomatix Pro

by Blake Rudis | Nov 2, 2012 | HDR 101: The Basics, Tutorial, Video Tutorial | 8 comments

Last week I discussed my 32 bit workflow with Photoshop’s Merge to HDR Pro.  This week I wanted to show one could process a 32 bit file in Photomatix Pro 4.2 and Adobe Camera Raw.  Many people know the 32 bit HDR to Lightroom gig pretty well, but it is just as...
32 Bit HDR Workflow (Photoshop CS 6)

32 Bit HDR Workflow (Photoshop CS 6)

by Blake Rudis | Oct 26, 2012 | HDR 101: The Basics, Post Processing, Tutorial, Video Tutorial | 13 comments

I have made claims in the past about how much I dislike Photoshop’s HDR toning.  That is still true, I am not a fan of the HDR toning, but  I do love the 32 bit workflow in combination with Adobe Camera Raw.  The results can make for some impeccable HDR images...
HDR Efex Pro 2 Tutorial

HDR Efex Pro 2 Tutorial

by Blake Rudis | Oct 19, 2012 | HDR 101: The Basics, Tutorial, Video Tutorial | 5 comments

Nik Software’s HDR Efex Pro was a great tool to have in my HDR tool box.  I was stoked to find out HDR Efex Pro 2 had been released late this Summer.  Just when you thought HDR Efex Pro couldn’t get much better, the upgrade came along and topped its...
Double Processing in Adobe Camera Raw

Double Processing in Adobe Camera Raw

by Blake Rudis | Oct 12, 2012 | Beginner, Tutorial, Video Tutorial | 0 comments

I was experimenting last week with Adobe Camera Raw and found a pretty handy trick that allowed me to double process any image in Adobe Camera Raw.  This is a pretty neat way to take your single exposure RAW files to the next level to really exploit that dynamic...
The Bridge To Camera Raw

The Bridge To Camera Raw

by Blake Rudis | Sep 21, 2012 | Beginner, f64 Academy News, Tutorial, Video Tutorial | 2 comments

I have been an avid Photoshopper for about 12 years now and just now realized the power of Adobe Bridge, I know I know, I am a day late and a dollar short right? Let me start this by asking you a couple questions, if you answer yes to any of them, then you need to...
3 HDR Tone Mapping Pet Peeves!

3 HDR Tone Mapping Pet Peeves!

by Blake Rudis | Sep 14, 2012 | HDR 101: The Basics, Tutorial, Video Tutorial | 7 comments

I have three huge pet peeves with HDR, some may say I hate these three things.  I stayed up countless hours for several months thinking about how much I hated these three things in my HDR process and racked my brain thinking about how I could fix them.  It is one...
HDR Tone Mapping Photoshop CS 6

HDR Tone Mapping Photoshop CS 6

by Blake Rudis | Sep 7, 2012 | HDR 101: The Basics, Tutorial, Video Tutorial | 7 comments

A newcomer to the blog, Larry, asked me to do a tutorial on HDR Toning in Photoshop.  I have never shown this on EverydayHDR before because I don’t really care for it as a Tone Mapping engine.  I do, however, use it in another interesting way. There are two ways...
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